As the art critic Aldo Galli in a note published in the newspaper La Nacion, one of the most defining aspects of the work of Rocio Bargnia has to do with their ability to recombine in an almost symbiotic traditionally opposed codes governing representational painting and mechanics governing abstraction.
In his critical analysis, Galli said that the meeting of this original artist with his teacher Victor Chab-one of the major benchmarks of the abstraction generated from operator-intensified his natural inclination to those actions:''In fact, the entire work Bargnia Dew, both his paintings and drawings, is chaired by a freedom that allows forms to be organized as the box started to germinate,''he says.
In many of its tables, while large areas of the fabric treatment notes in the funds in line with the intention to create atmospheres that exceed the figurative, in other sectors are often as emerging spontaneously, barely recognizable images, mysterious creatures distant operate by way of silent and enigmatic witnesses, able to bring in the whole painting a disturbing sense of ambiguity that gives the fabric a decidedly dreamlike impregnation. Critics have also pointed out that this feature, defining the Bargnia Spray painting style, takes on a special intensity when the artist introduces into his painting the techniques of assemblage, since it incorporates figurative elements appear new meaning in terms of the multiplicity of meanings fabric crisscross the way codes that allow different readings, which can vary even magically, during the same from the contemplation of each work.
STUDIES
-Drawing and painting with Victor Chab
"Taller de Gustavo López Armentia
INDIVIDUAL SAMPLES
2003
Renault-Museum (April and May óleos. Buenos Aires).
2004
"Honorable Chamber of Deputies.
2005
-Association of Notaries of the Province of Bs.As.Delegación Mercedes.
2007
-Association of Magistrates and Officers of Justice Nacional, Buenos Aires
GROUP SHOWS AND ROOMS
1981
-Gallery Lirolay (color pencil)
1982
"Cartoonists Association of Argentina.
"Spring Exhibition (ink color).
"Annual Exhibition of the artist (ink color).
1983
-Paintings and drawings from the workshop of Victor Chab. "New Manufact" (ink color).
1991
CE.AR.CO. opening-Hall '91.
Art-Sala Raul Soldi (oil).
Small-Show Format CE.AR.CO. '91. (Oil)
-Arcua Foundation (oil).
CE.AR.CO.-Hall Alliance Francaise '91.
ALFREDO Fortabat-Center (oil).
1992
FORM-Gallery (assemblages).
1993
Aramayo-Gallery (assemblages), Montevideo, Uruguay.
-MUSEUM OF FINE ARTS (assemblages), Tandil. Sacred Art Exhibition XXIII.
1994
-Hotel SAN RAFAEL (assemblages). Punta del Este, Uruguay.
2003
"Competition JOSE MARTI AND BOOM BRUSH.
2004
-Hotel Alvear, Buenos Aires (CREDIT SUISSE).
Argentina
